For many Muslims worldwide, the name Ibn Battuta evokes a sense of great pride and conjures up a golden era of Islamic history. The Rihla, one of the greatest travel journals ever recorded, has been greatly responsible for passing on the tales of the 14th century explorer who followed the sun and stars to reach Makkah.
In the past year, this 700-year-old story made the transition to the big screen, shown at over 12 IMAX theatres in locations around the world. Journey to Makkah: In the footsteps of Ibn Battuta is mostly shot on a set in Morocco and combines dramatic performances with documentary footage to re-tell a classic adventure.
The British Film Institute recently put on a special screening of the film at their London IMAX theatre to mark Eid ul-Adha. Prior to the screening, the film's producer Jonathan Barker spoke to the audience filled with Ibn Battuta enthusiasts and explained his vision behind the film, which was "to celebrate a well known Muslim hero" and to "provide a better understanding of a historical figure that is unknown to many non-Muslims."
Filmed in a format that displays images that are greater in size and resolution than conventional film systems, IMAX creates a unique visual experience that is larger than life. The dramatic scenes of desert landscapes and breathtaking moving aerial shots take the viewer on a journey alongside Ibn Battuta, from Tangier to Makkah. It even brings to life his recurring dream of "flying to Makkah." Scenes of the "valley of death", the caravan community en route from Damascus to Mecca and the modern day Hajj, the pilgrimage to Makkah, remain etched on the mind.
By interposing scenes of 14th century Hajj with those from the 21st century, the viewer is invited on an expedition that takes them to parallel worlds: the past and the present. The power of the visual illustrates a ritual that has remained the same for centuries. This, topped with beautiful imagery narrated by the familiar voice of actor Ben Kingsley, provide explanations that are both simplistic and symbolic of the spiritual significance of acts like circling the most sacred site for Muslims, the Kaaba: "We mirror the movements of the heavens seven times".
An eye for detail is evident, both visually and in the plot of Journey to Makkah. Lines such as: "If I should die then let it be on the road to Makkah" are taken from Ibn Battuta's collection of notes and embedded into the narrative giving an authentic tone to a modern day recreation. The 14th century version of the Kaaba, which is what Muslims around the world face toward in worship, was painstakingly reproduced in Morocco to represent how it actually looked at that time.
Furthermore, the lead of Ibn Battuta was faithfully and convincingly portrayed by the Moroccan actor Chems Eddine Zinoun. His performance possessed gravitas in reflecting one of Muslims' most revered heroes. His portrayal is his own legacy to the world, as he tragically died two weeks after completing the film.
Movies such as The Message, Lion of the Desert, and the character of the 12th century sultan of Egypt and Syria, Saladin, in Kingdom of Heaven have offered a few of the limited portrayals of historical figures and themes from Islamic history by Western filmmakers. The tale of Ibn Battuta possesses the perfect blend of an epic tale mixed with entertainment to join such a list. While it succeeds in celebrating a well-known Muslim hero, it remains to be seen whether it can cross over to the mainstream as the others have done.
(Nabila Pathan is a British writer and broadcaster. She hosted Press TV's flagship discussion series Women's Voice and writes for the blog Word Play.)
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January 2010 |
