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Celebrating the flourishing era of Islamic culture, the Louvre Museum prepares to unveil a new wing for Arts of Islam. “The whole structure seems to be floating in mid-air,” Mario Bellini, an Italian architect responsible with Rudy Ricciotti for the glass-roofed wing for Islamic art, said. “There are no pillars, you see, and this was a very big challenge.” Preparing to open to the public this summer, the new wing will exhibit more than 18,000 artworks from the Arab world and Europe, some for the first time. Built with the Muslim veil in mind, the museum’s new Arts of Islam wing was modeled on a delicate sheet of silk. Erected within the museum, a curvilinear glass roof covered inside and out with sheets of golden metallic links will shelter art from the Islamic era, grouped together for the first time in one enormous gallery. Designers say they aimed at creating a “gentle and non-violent integration” of an architectural design within a place of historic importance. The collections will be displayed over an area of roughly 3,500 square metres, sub-divided into only two levels. The first floor, at courtyard level, will house works from the seventh to the 10th centuries. The second, in the basement will exhibit works from the 11th to the 19th centuries along with a prestigious collection of carpets. The idea of the huge museum was first suggested in 2002 by former French president, Jacques Chirac when he declared his wish to see a dedicated wing of Islamic art at the museum. Donating €31 million, France covered 30 percent of the whole cost, estimated at about €98.5 million. The project’s biggest sponsor, the Saudi Al Waleed Bin Talal Foundation, gave €17m as soon as the project was announced. A further €30m was raised from individual and corporate donations, while €26m came from the rulers of Morocco, Kuwait, Oman and Azerbaijan. France is home to a sizable minority of six million Muslims, the largest in Europe.
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